Sizing information
Overall size (inc frame) | x cm ( x in) |
Depth | cm (in) |
Artwork | x cm ( x in) |
Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
The paper size of our wall art shipped from the US is sized to the nearest inch. |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
Read more about our fine art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Leaf from a Book of Hours: The Crucifixion, 1430s
Product details Leaf from a Book of Hours: The Crucifixion, 1430s
Leaf from a Book of Hours: The Crucifixion, 1430s
Master of Guillebert de Mets; Workshop
Leaf from a Book of Hours: The Crucifixion, 1430s. The Master of Guillebert de Mets is named after the scribe who records his name in an illuminated copy of the Decameron , made for Duke Philip the Good of Burgundy, and for which he contributed many of its miniatures. He was active from about 1410 to 1445. So far there is no proof that allows us to follow his career or to know precisely where he worked. Calendars in other manuscripts with which he is associated suggest his shop may have been in Tournai, Liège, Bruges, and more credibly, Ghent. His commissions may have been linked to the itinerant Burgundian court, though no original provenance survives for any of his manuscripts. The Master of Guillebert de Mets painted in an easily recognizable style. His figures have prominent heads with well-delineated eyes and small mouths, slender torsos with thin, spindly legs, and long, finely worked fingers. Many of his miniatures, such as The Crucifixion and The Last Judgment here, show that he often favored mosaic backgrounds of delicately worked checkered patterns.
- Image ref: 2733640
- Heritage Art/Heritage Images