Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
Read more about our fine art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of An Old Man Standing, 1725
Product details An Old Man Standing, 1725
An Old Man Standing, 1725
An Old Man Standing, 1725. A native of Venice, Zanetti, an artist and collector, also acted as an agent, arranging sales and commissions since he knew both the leading artists and the most influential patrons. In 1720, while visiting England, Zanetti acquired a group of 130 drawings executed by Parmigianino, many of which were initially executed as models for chiaroscuro woodcuts. Zanetti made his own chiaroscuros after these sheets, helping to revive the medium in the 18th century. Since Zanetti was primarily a copyist, his originality is found not so much in his compositions as in his technique. Previously, chiaroscuro printmakers had used several shades of a single subdued colour to imitate the effect of wash in monochromatic drawings. Zanetti, however, experimented with using different colours within a single print and, influenced by the rococo paintings of his day, chose contrasting bright pastels.
- Image ref: 2722914
- Heritage Art/Heritage Images
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