Sizing information
Overall size (inc frame) | x cm ( x in) |
Depth | cm (in) |
Artwork | x cm ( x in) |
Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
The paper size of our wall art shipped from the US is sized to the nearest inch. |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
Read more about our fine art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Bust of Lord Byron, 1852
Product details Bust of Lord Byron, 1852
Bust of Lord Byron, 1852
Bust of Lord Byron, 1852. The original of this bust, by the Florentine sculptor Lorenzo Bartolini, came as the result of the artist pursuing Byron for a sitting. Byron wrote to his publisher John Murray, "Bartolini the celebrated Sculptor wrote to desire to take my bust - I consented on condition that he also took that of the Countess Guiccioli... The Sculptor is a famous one & as it was done by his own particular request will be done well probably." With Byron’s consent, Bartolini travelled to Pisa where Byron was living at the time. Bartolini cast a naturalistic impression of the poet, perhaps too much so as Lord Byron wrote again to Murray, “The bust does not turn out a very good one – though it may be like for aught I know – as it exactly resembles a superannuated Jesuit.” Nevertheless, Countess Giuccioli regarded it “the best likeness of Byron she knew of…”
- Image ref: LC100411_0449_2
- Liszt Collection