Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847
Image information
Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847
Product details Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847
Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847
Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847. By the mid 19th century, the complexities of printing in numerous colours had been mastered, culminating in one of the high points of European printmaking. The plates drawn by Haghe, which copy the watercolours that David Roberts made in Egypt, are exquisite examples of colour lithography. Egypt was a distant, mysterious country for Europeans and Haghe, a Scottish topographical and architectural artist who spent the year of 1838 traveling across this ancient land. The resulting prints?the first comprehensive series of views of the monuments, landscapes, and people of the Near East?were especially appreciated for their brilliant colour and large scale. Bonebrake?s 134 prints of Egypt are an important addition to the Cleveland Museum of Art?s collection, and in a sense they have returned home: a large group of them was loaned to the 1992 exhibition Nineteenth-Century Views of Egypt.
- Image ref: 2727729
- Heritage Art/Heritage Images
Find related images
zoom
