Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
Read more about our fine art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Eleven-Headed Deity of Compassion, 13th century
Product details Eleven-Headed Deity of Compassion, 13th century
Eleven-Headed Deity of Compassion, 13th century
Eleven-Headed Deity of Compassion (Juichimen Kannon), 13th century. The Eleven-Headed Kannon, a deity of mercy and compassion in the Buddhist pantheon, was introduced into Japan in the 600s. By the 700s it had gained in popularity among an increasing number of believers, a condition it enjoyed until the end of the Kamakura period. The modest size and high quality of the materials apparent in this work indicate its use as a private devotional image. An earlier restoration of this painting included the use of an entire silk backing layer rather than silk patches with a paper backing. The tension that resulted between these two layers of silk, one old and the other recent, caused serious cracking to occur in the painting's surface. Moreover, the silk backing had been dyed a dark tone which did not enhance the appearance of the painting, although it did help hide damaged areas in the surface silk. Now two layers of backing paper support the painting, with its carefully fitted silk patches. These are toned slightly differently from the original surface values so that viewers can distinguish between the original and the modern restored areas. The original metal fittings have also been cleaned and reused. Other replacement fittings were deemed inappropriate for this early religious image and so new, specially designed ones are now in place.
- Image ref: 2748632
- Heritage Art/Heritage Images
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