Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Noa Noa: The Devil Speaks, 1893-1894
Product details Noa Noa: The Devil Speaks, 1893-1894
Noa Noa: The Devil Speaks, 1893-1894
Noa Noa: The Devil Speaks (Mahna No Varua Ino) (recto), 1893-1894. When Gauguin returned to Paris from Tahiti in 1893, he conceived a book that would describe his life among the natives and place his South Seas paintings within context. Gauguin produced ten woodcuts to illustrate Noa Noa . Printed by hand, sometimes on coloured paper, these prints have a rough-hewn, coarse quality that enhances the subject matter. An experimental printmaker, Gauguin varied inks, papers, colours, printing pressure, and even modes of printing so that each impression is unique. He would sometimes ink the woodblock unevenly, creating a partially incomprehensible image on many first-state impressions and increasing the scene?s mystery and ambiguity, as here. In 1921 Gauguin's son Pola inked and wiped the block so that the subject is clearly visible.
- Image ref: 2735962
- Heritage Art/Heritage Images
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