Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Point Judith, Rhode Island, 1867-1868
Product details Point Judith, Rhode Island, 1867-1868
Point Judith, Rhode Island, 1867-1868
Point Judith, Rhode Island, 1867-1868. During the 1860s and 1870s, many American painters shifted their interest from rendering clear-cut, well-lit scenes of recognizable places to capturing more ambiguous effects, such as the mystery of night. In Point Judith, Rhode Island , the barren, almost lunar landscape contains no figures, allowing moonlight and mystery to feature as the true subjects of the painting. Despite its seemingly generalized character, this work is based on a pencil sketch that identifies the scene's location as Scarborough Beach, looking toward the tip of Point Judith on the right side of the painting. Although he depicts an actual place, Heade devotes more attention to intangible objects in the landscape. The ominous line of assembling storm clouds and the mysterious, glowing light cast by the moon suggest that perhaps these fluid, evasive elements are more powerful than the solid forms of the landscape.
- Image ref: 2738102
- Heritage Art/Heritage Images
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