Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Souvenir of an 'International Ball', 1907
Product details Souvenir of an 'International Ball', 1907
Souvenir of an 'International Ball', 1907
Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce), 1907. The subject for this portrait is Miss Kathleen Bruce, later Lady Scott, the widow of Antarctic explorer Sir Robert F. Scott. However, as the picture's original title underlines (Souvenir of an "International Ball"), the identity of the sitter is less important than her treatment as a decorous object. Highlighting the woman in front of a shadowed screen decorated with foliage, Shannon positioned her to ensure her hoop skirt billowed out and filled the large chair. The result is a "bouquet" of fabrics and bows which bursts forth from the real bouquet of flowers nestled upon the woman's lap. Shannon's debt to the Venetian Renaissance painter Titian (about 1489-1576) is evident in the loose brushwork he used to represent realistically the soft material of the dress and to heighten the sense of ornamentation. Although aware of contemporary art movements, he instead preferred to follow the art of previous masters like Titian. He shared this love of older tradition with his living and working partner, Charles Ricketts (1866-1931), as well as with Alphonse Legros (1837-1911), a French-born artist who was an important teacher in Britain.
- Image ref: 2741516
- Heritage Art/Heritage Images
Find related images
zoom
