Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
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Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of The Large Passion: The Crucifixion, c. 1497-1500
Product details The Large Passion: The Crucifixion, c. 1497-1500
The Large Passion: The Crucifixion, c. 1497-1500
The Large Passion: The Crucifixion, c. 1497-1500. Dürer made seven of the twelve woodcuts for The Large Passion between 1497 and 1500 and then produced four additional woodcuts in 1510. The following year he published the series in book form with a frontispiece and Latin verses composed by Benedict Schwalbe. The Nuremberg monk and poet's text was printed on the back of the sheets. At the same time, Dürer printed a second edition of The Apocalypse and the first edition of The Life of the Virgin (see The Apocalypse: The Four Horsemen and impressions of The Life of the Virgin nearby). The scenes of The Large Passion executed between 1497 and 1500 retain certain Gothic conventions: a wealth of detail; two-dimensional, awkward figures; ambiguous picture space; and confusing compositions. However, the strong contrast between the thick, black, expressive lines and the white paper creates a vitality lost in the prints from 1510, when Dürer's style changed dramatically.
- Image ref: 2744832
- Heritage Art/Heritage Images
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