Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of The Madonna of Humility with the Temptation of Eve, c. 1400
Product details The Madonna of Humility with the Temptation of Eve, c. 1400
The Madonna of Humility with the Temptation of Eve, c. 1400
The Madonna of Humility with the Temptation of Eve, c. 1400. The Madonna is seated humbly on the ground nursing her child. Saint George and the Archangels Gabriel and Michael kneel nearby, while Christ?s disciples appear radiating from the Madonna?s halo in the form of stars. In contrast with the Virgin?s purity, Eve lies in the lower part of the painting. Coaxed by the serpent, she raises the forbidden fruit to her mouth, thus condemning humankind through her original sin. The juxtaposition of these two images affirms the Incarnation and the role of Christ and the Virgin in the redemption story. The deep scratches on the surface of the panel, especially on the serpent?s face and Eve?s wrist, likely resulted from a zealous Christian?s symbolic attack on the power of evil. The artist, Olivuccio di Ciccarello, is known to have been active in the Marche in central Italy. Little is known of his life except that he was an important and prolific painter in Ancona, where he died. His paintings were formerly attributed to Carlo da Camerino, an apparently nonexistent artist, on the basis of a mistaken reading of his signature on a crucifix.
- Image ref: 2744963
- Heritage Art/Heritage Images
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