Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
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We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
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Manufactured in the UK, the US and the EU
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Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of The Mender, c. 1881
Product details The Mender, c. 1881
The Mender, c. 1881
The Mender, c. 1881. Unlike Cassatt and Degas, Pissarro eschewed the city and the bourgeoisie for much of his career, instead making the countryside and its inhabitants the subject of his art. His marriage in 1871 to Julie Vellay, the daughter of poor peasants, and their life of financial struggle with eight children in the small village of Pontoise, made him sympathetic to the hardships of rural life. He frequently depicted women sewing, often outdoors, or seated beside a window, as seen here. The effect of natural light illuminating his subject, as indicated by the notation "lumière" at the left margin of the drawing, was an essential aspect of Pissarro?s Impressionist style. The quiet solitude of his peasant working close to nature makes an interesting comparison with Cassatt?s Knitting in the Library, a portrait of her bespectacled, well-to-do mother in a comfortably appointed interior.
- Image ref: 2745027
- Heritage Art/Heritage Images
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