Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, Ireland, mainland EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of View of Bordeaux, from the Quai des Chartrons, 1874
Product details View of Bordeaux, from the Quai des Chartrons, 1874
View of Bordeaux, from the Quai des Chartrons, 1874
View of Bordeaux, from the Quai des Chartrons, 1874. In 1873, Boudin made his first visit to the important port city of Bordeaux as a guest of the resident art collector Arthur Bourges. Between 1874 and 1876, Boudin made paintings of the city's harbor and docks. This was an especially stimulating time in Boudin's career, as he was invited to exhibit in 1874 with the newly-founded Société anonyme des artistes, soon to be known as the Impressionists. As in many of his views, Boudin concentrated here on the quais or working docks where goods were loaded and unloaded and sailors left in small dinghies for the larger vessels on which they worked. The low horizon line relegates much of the canvas to pure sky, but the soaring vertical and diagonal forms of the masts complement this horizontal thrust and open space. Many contemporaries greatly admired Boudin's ability to paint skies. Here, one can see the way in which he brushed on a tan colour, then went over it, probably while it was still wet, with a thin but opaque application of white, to create a fresh, airy quality. For the darker areas representing water, Boudin laid in an olive-green tone.
- Image ref: 2747459
- Heritage Art/Heritage Images
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