Pascal Coste (page 6)

Design for a Tuscan Doric Garden Pavilion, c.1830 English School

A Garland of Pansies Antoine Pascal

Illustration of a Roller Coaster in Paris Anonymous

View of the cloister, Musee des Monuments Francais, Paris Jean Lubin Vauzelle

Basilica, Pescocostanzo, L'Aquila, Abruzzo Anonymous

Basilica, Pescocostanzo, L'Aquila, Abruzzo Anonymous

Palazzo Vescovile, Penne, Pescara, Abruzzo Anonymous

Palazzo Vescovile, Penne, Pescara, Abruzzo Anonymous

Palazzo Vescovile, Penne, Pescara, Abruzzo Anonymous

Palazzo Vescovile, Penne, Pescara, Abruzzo Anonymous

Basilica, Pescocostanzo, L'Aquila, Abruzzo Anonymous

Basilica, Pescocostanzo, L'Aquila, Abruzzo Anonymous

Pascin Anonymous

Bridge of Angels and Castel Sant' Angelo Anonymous

Sacred to Pasht Edwin Longsden Long

Adam de Coster, 1827 T.S. White

The picturesque market in Passage Berryer, Paris Ernest Flammarion

The Paris Easter Promenade at Longchamps France 1869 Anonymous

Backlist Sebah J. Pascal Sébah

Napoleon I in his coronation robe, c.1804 Francois Pascal Simon Baron Gerard

Somme, Ciestercian Abbey of Valloires from the 12th century, rebuilt in the 17th century, painting in the sacristy Anonymous

Filipino Prisoners of War at Pasig, Philippines 1899, 19th century Anonymous

Mascarene Maya, 2000 Charlotte Johnstone

Landscape with a Sign Post Philips Wouwerman

The Ascent of the Aerostat in the Jardin des Tuileries, 1st December, 1783 French School

Charles-Ferdinand of France in the Costume of a French Prince, 1820 Francois Pascal Simon Baron Gerard

Paris Pris du Louvre Maxime Lalanne

View of the Basilian Monastery at Grottaferrata, Rome Gaspar van (1653-1736) Wittel

Pinnacles of the Palisades Anonymous

Lasca (Schooner), 1892 Anonymous

Oosterwyk House Paulus van Liender

Rosario Street and Binondo Church as seen from Pasig River, Manila, Philippines Underwood & Underwood

Palazzo Vescovile, Penne, Pescara, Abruzzo Anonymous

A Paddle Steamer on the Potomac Anonymous

The Passion of Christ, 1519 Bernardino Luini

The Pashkov House, 1830s Paul Marie Roussel (after)