Complementary posters & prints

‘Complementary combinations’ Thomas Kell

Lavender Anonymous

Le Complement des Etudes (Jadis), 1829 Henry Bonaventure Monnier

Le Complement des Etudes (Aujourd'hui), 1829 Henry Bonaventure Monnier

Aromatherapy Bowl of Flowers Anonymous

Strawberries and Cream, 1816 Raphaelle Peale

Complimentarity, 2017 Alex Caminker

Parisian Occasions: The Complement of the Students Henry Bonaventure Monnier

Woman holding her chest Anonymous

Stacks of Wheat, 1890-91 Claude Monet

Counter-Composition, 1925-26 Theo van Doesburg

Mendelian inheritance of colour of flower in the culinary pea, 1912 Unknown

A complimentary message to Fritz, Somme campaign, France, World War I, 1916 Unknown

The Accomplice Auguste Maurice Cabuzel

Simultaneous Counter-Composition, 1929-30 Theo van Doesburg

Contentment Adolf Eberle

Accompanied Contrast, 1935 Anonymous

Complimentary Dinner at the London Tavern to Mr. Davis the Huntsman of Her Majesty's Staghounds Anonymous

Compositie No.3, with Colour Planes 3, 1917 Piet Mondrian

Secret and obvious combination, 2019 Alex Caminker

Commensal Bubble Coral Shrimp (Vir philippinensis) in Bubble Coral (Plerogyra), Lembeh Strait, North Sulawesi, Indonesia Anonymous

A complimentary message to Fritz Anonymous

The Compliments of the Season 1871 Anonymous

Simple Complexity or, Ambiguity, 1939 Wassily Kandinsky

Resenting Constructive Criticism Retards Advancement Motivational Poster Anonymous

Contemplation; Recueillement Albert Guillaume

Suprematist Composition, c. 1925 Anonymous

Ki-On-Twog-Ky or 'Complanter', a Seneca Chief, 1796 F. Bartoli

Complet!!!, 1862 C. Maurand

Still Life with Strawberries in a Compote, 1865-70 Severin Roesen

Nero and Accomplice on Balcony Anonymous

Landscape with Allegories of the Four Elements Jan Brueghel the Younger

COMPOSITE FIDELITY, 2017 Peter McClure

Frontispiece illustration to 'The Compleat Gamester' by Charles Cotton, c.1700 English School

Broad lobe cartridge with heart-shaped compartment Johannes Lutma II

Composition III, 1926 Ragnhild Keyser