Etching with engraving on laid paper posters & prints

Burying the Dead, Swiss Conrad Meyer

Caring for the Ill, Swiss Conrad Meyer

View of the Capitoline Hill (Le Fameux Capitole à Rome), ca. 1695-1706 Domenico de Rossi

Shoe Black, 1768 Jean-Baptiste Tilliard

Winter, 1649 Conrad Meyer

The Governess (La Governante), 1739 Franc¸ois Bernard Lépicié

Jan de Wael, c. 1630 Sir Anthony van Dyck

The Cat's Concert Coryn Boel

The Drunken Silenus, c. 1635 Schelte Adams Bolswert

Frontispiece, 1768 Jean-Baptiste Tilliard

Shoe Black (by stairs), 1768 Jean-Baptiste Tilliard

Birth (La Naissance), ca. 1718-1722 Claude Gillot and Jean Audran

Shoe Black (by a wall), 1768 Jean-Baptiste Tilliard

Spring, 1646 Conrad Meyer

Errand Boy, 1768 Jean-Baptiste Tilliard

Summer, 1647 Conrad Meyer

The Declaration, ca. 1741-1745 Charles Joseph Flipart

Wood Sawyer, 1768 Jean-Baptiste Tilliard

The Death of Cleopatra, 1754 Johann Georg Wille

The Dancing Lesson, ca. 1741-1745 Charles Joseph Flipart

Birth (La Naissance), ca. 1718-1722 Claude Gillot and Jean Audran

Harlequin Displeased with His Painter (Harlequin mécontant de son peinture), ca. 1716-1722 Claude Gillot

Postman Delivering a Letter, 1768 Jean-Baptiste Tilliard

Standing Man, Leaning on His Elbow (L'Homme Debout), ca. 1710 Jean-Antoine Watteau

Yes or No (Oui ou Non), 1781 N. Thomas

Louise Albertine de Brandt, Baroness von Grapendorf Georg Friedrich Schmidt

Evening in the Tuilleries Gardens (La Soirée des Tuilleries), ca. 1760-1770 Jean Baptiste Blaise Simonet

The Drawing Lesson (Étude du Dessen), ca. 1757 Jacques Philippe Le Bas

Lady Walking Seen from Behind (La Femme marchand au fond), ca. 1710 Jean-Antoine Watteau

A Student Drawing (Le Dessinateur), 1757 Jean-Jacques Flipart

Partie de Plaisirs, ca. 1750-1760 Pierre Etienne Moitte

Susanna and the Elders Annibale Carracci

Bacchanal with a Dancing Couple in the Center Willem Basse

Birth (La Naissance), ca. 1718-1722 Claude Gillot and Jean Audran

La morgue, Paris, 1854 Charles Meryon

Eleanora, Wife of Ferdinand II, 1640s Pieter van Sompel