Gothic (art) posters & prints

Crucifixion Bavarian School

St. Paul's Cathedral from Ludgate Circus, London, England John Atkinson Grimshaw

High Altar of St Alphonsus Liguori, Limerick, Ireland Irish School

The Adoration of the Magi. Detail of the Maesta Altarpiece, ca 1308-1311 Duccio di Buoninsegna

Saint Augustine Disputing with the Heretics Vergós Family

The Ascension, 1374 Barnaba da Modena

Haunted Pub Hampstead, 2018 Deborah Eve Alastra

The Adoration of the Kings, c. 1510 Master of Sardoal

Madonna and Child, c. 1400 Gherardo Starnina

Interior of a cathedral with a beggar and other figures Pieter the Elder Neeffs

Exeter Cathedral - North Tower, 2003 Anthony Rule

View of the Choir Louise Madelaine Cochin

St. Martin sharing his cloak with the beggar Simone Martini

Melrose Abbey: The East Window Anonymous

Lichfield Cathedral from Stowe Pool, c.1850 English School

Anime Goth Anonymous

Interior of a Church Hippolyte Joseph Cuvelier

Detail from 'The Descent from the Cross', Capellone degli Spagnoli, 1365-67 Andrea di Bonaiuto

Le Vrai Support de Toute Creature, 1521 Master of Amiens

Saint John the Baptist Entering the Wilderness, 1455-60 Giovanni di Paolo

Croydon Parish Church, 1813 J. P. Neale

The Interior of Westminster Abbey, c.1714 English School

The Adoration of the Magi, 1423 Gentile da Fabriano

The Presentation in the Temple (The Liesborn Altarpiece), ca. 1470-1480 Master of Liesborn

St. Francis Gives his Coat to a Stranger, 1296-97 Giotto

Christ before Pilate (The Liesborn Altarpiece), c. 1520 Jan Baegert

Pluscardine Abbey, Elgin, c.1793 Thomas Girtin

Saint Mary-Magdalene, c.1479 Matthias Grunewald

The Descent from the Cross, c.1436 Rogier van der Weyden

The Crucifixion, 1401/04 Taddeo di Bartolo

Ms 473 Judas kissing Christ French School

Angel Musicians French School

Commemoration of Guidoriccio da Fogliano at the Siege of Montemassi Simone Martini

Gothic Art Influence Saint Denis Anonymous

Detail of Gothic architecture and Trompe L'Oeil, c.1305 Giotto (c.1266-1337)

St. Jerome in His Study, c.1440 Stephan Lochner