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Arrival of a Portuguese ship. Nanban screen, ca. 1600
Anonymous
Curved commode table and Chinese lacquered eight fold screen
Edwin Foley
Painted Screen St. George's Chapel
Anonymous
Arrangement in Flesh Color and Grey: The Chinese Screen
James Abbott McNeill Whistler
Arrival of a Portuguese ship. Nanban screen, ca. 1600
Anonymous
Calligraphy, 1800s
Unknown
Dragon, 1500s
Sesson Sh?kei
Sir Walter Raleigh, print made by S. Freeman
Marcus the Younger (after) Gheeraerts
Screen over the chantry of Henry V, Westminster Abbey, London
J Bluck
Behind the Screen, 1680s.
Hishikawa Moronobu
A Bedroom in Japan
Charles Gillot
Morning Engraving of Pets Assembled Beside a Breakfast Table
Anonymous
Japanese Screen with Trees and Flowering Plants
Anonymous
Interior of the Church of Saint-Etienne du Mont, The Rood-Screen, 1851
Nicolas-Alexandre Barbier
Curving red lacquer screen
Lincoln Seligman
Interior of the Church of All Hallows the Great, City of London
John Crowther
The Embroidered Screen
Susan Ryder
A four leaf screen with portraits of Shakespeare, Milton, Chaucer and Spenser
William Bell Scott
Illustration of Sun Parlor
Anonymous
Circular table and folding screen
Edwin Foley
Henry II carved coffer or bahut and oak screen of the same French Period
Edwin Foley
Thirty-Six Immortal Poets, mid 1700s
Tatebayashi Kagei (attributed to)
Red Screen, 1990
Lincoln Seligman
Merry-making under aronia blossoms. Left of a pair of six-section folding screens
Kano Isenin Naganobu
Three Ducks on a Riverbank of Pine and Scattered Flowers
Anonymous
Kiku No Tsuitate No Mae No Shuen, Drinking Party Before a Single Standing Screen (Tsuitate) with Chrysanthemums
Anonymous
Screen School, Caspar Luyken
Anonymous
Lady and Gentleman by a Screen, 1797
Anonymous
Taurus Postcard
Paul Dubosclard
Japanese screen
Genkei-school Nagasaki
Screen with doves, c.1896
Maurice Denis
One pair of Screens
Savonnerie Manufactory
Pisces Postcard
Paul Dubosclard
Four-fold double-sided screen, c.1700
Anglo-Flemish School
Detail of an Illustration Depicting the Praxinoscope Used by Emile Reynaud in the Theatre Optique
Anonymous
Trees. A six-section folding screens, Mid of 17th cen
Anonymous
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